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- Exploring Aesthetics: The Picturesque Appropriation of Land in Journals of Australian ExplorationEssay1 October 1992
- Review of *L'Universo Terra in 'Voss' di Patrick White* by Antonella Riem, and *The Labyrinths of the Self* by Antonella RiemReview1 October 1989
- The Short Story Cycles of Frank MoorhouseEssay1 October 1990
- The Use of Names and Colours in Randolph Stow’s *Tourmaline*Essay1 October 1990
- Searchlights and the Search for History in Christina Stead’s ‘Seven Poor Men of Sydney’Essay1 June 1991
- ‘Those Infernal Pictures’: Reading Helen Darville, Her Novel and Her CriticsEssay1 May 1997
- What Can Be Read and What Can Only Be Seen in Tim Winton’s FictionEssay1 October 1996
- Review of *Antipodean Encounters: Australia and the German Literary Imagination 1754-1918* by Alan Corkhill, and *German Images in Australian Literature from the 1940s to the 1980s* by Irmtraud PeterssonReview1 May 1992
- ‘Distant Voices, Still Lives’: The Correspondence Between H.H. Richardson and Her French Translator, Paul SolangesEssay1 May 1998
- Review of *The Bibliography of Australian Literature, A- E*, *Index to Serials in Australian Periodicals and Newspapers: Nineteenth Century*, and *The Poems of Charles Harpur: An Analytical Finding List*Review1 October 2002
- Review of *By the Book: A Literary History of Queensland*, edited by Patrick Buckridge and Belinda McKayReview1 November 2008
- Who Is Kevin, and Why Do We Need to Talk About Him? Lionel Shriver, Kevin, and the Problem of RepresentationEssay1 November 2009
- Review of *Literary and Social Diasporas: An Italian Australian Perspective*, edited by Gaetano Rando and Gerry TurcotteReview1 June 2009
- Finding Home: The Poetry of Margaret ScottEssay1 October 2005
- Review of *Flashing Eyes and Floating Hair: A Reading of Gwen Harwood's Pseudonymous Poetry*, by Cassandra L. AthertonReview1 October 2008
- Review of *Thea Astley's Fictional Worlds*, edited by Susan Sheridan and Paul GenoniReview1 October 2008
- Along Gender Lines: Reassessing Relationships between Australian Novels, Gender and Genre from 1939 to 2006Essay1 October 2009
- You Are What You Eat: Rationalising Factory Farms in Don LePan’s *Animals*Essay1 June 2010
- Review of *Lighting Dark Places: Essays on Kate Grenville*, edited by Sue KossewReview1 June 2011
- Cloud-Borne Angels, Prophets and the Old Woman’s Flower-Pot: Reading George Eliot’s Realism alongside Spinoza’s ‘beings of the imagination’Essay1 October 2013