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The Creation of Rachel Henning: Personal Correspondence to Publishing Phenomenon

‘Lights all askew in the heavens’: Einsteinian Relativity, Literary Modernism and the Lecture on Light in Christina Stead’s *Seven Poor Men of Sydney*

Creative Acts: Archives, Artifacts and Australian Women’s Autobiographies

‘What Had She to Do With Angels?’ : Gender and Narrative in The Fortunes of Richard Mahony

From the Harp of Erin to Erin of the Harp with Thomas Keneally

The Historical Basis of ‘Robbery Under Arms’

The Convict and the Aborigine: The Quest for Freedom in *Ralph Rashleigh*

Maurice Frere’s Wife : Marcus Clarke’s Revision of ‘His Natural Life’

Patrick White, Some Lines of Development: *The Living and the Dead* to *The Solid Mandala*

The World Outside Time : Slessor’s Five Bells

Review of *Xavier Herbert* by Laurie Clancy

Here Beyond My Knowing

Some Volumes of Selected Poems of the 1970s

John Tranter & Les Murray

Mansfield and Richardson: A Short Story Dialectic

An Infinite Onion: Narrative Structure in Peter Carey’s Fiction

Tranter’s Plots

Norman Lindsay’s ‘Creative Effort’: Manifesto for an Urban Intelligentsia

‘Oh, Vaunted Queensland!’: A Literary Interpretation, 1862-69

Vance Palmer and the Unguarded Awareness