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‘The Great Australian Emptiness’ Revisited: Murray Bail’s *Holden’s Performance*

Textual Phantasmagoria: Marcus Clarke, Light Literature and the Colonial Uncanny

Excavating a Bonanza: Sarah Campion

Dying of Landscape: E.L. Grant Watson and the Australian Desert

Mid-Victorian Reading and the Antipodes

The Significance of Littoral in Beverley Farmer’s Novel *The Seal Woman*

Burglary in Shady Hill and Sarsaparilla: The Politics of Conformity in White and Cheever

Paternalism and Complicity: Or How Not to Atone for the ‘Sins of the Father’

The Eco-Humanities as Literature: A New Genre?

The Significance of Littoral in Beverley Farmer’s Novel *The Seal Woman*

‘A Reading People?’: Global Knowledge Networks and Two Australian Societies of the 1820s

Eurydice’s Curse: J. M. Coetzee and the Prospect of Death

Colonial Violence and Forgotten Fiction

The Ends of Empire: Australian Steampunk and the Reimagining of Euro-Modernity

Irony Machines: Artificial Intelligence, Literary Language, and the Opacities of Trust

White Closets, Jangling Nerves and the Biopolitics of the Public Secret

After Libertarianism: An Interview with Michael Wilding

**‘Ordinary Readers’ and Political Uses: Re-Examining Helen Garner’s Non-Fiction Writings about Filicide**

The Age of Appreciation: Reading and Teaching Classic Literature in Australia in the Early Twentieth Century

Authors, Editors, Publishers: Katharine Susannah Prichard and W. W. Norton