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Getting a Head: Dismembering and Remembering in Robert Drewe’s *The Savage Crows*

Shopping at Last!: History, Fiction and the Anti-Suburban Tradition

Subdivisions of Suburbia: The Politics of Place in Melissa Lucashenko’s *Steam Pigs* and Amanda Lohrey’s *Camille’s Bread*

Shit Creek: Suburbia, Abjection and Subjectivity in Australian ‘Grunge’ Fiction

The Fiction of Gabrielle Lord

Gender and Race Relations in Elizabeth O’Conner’s Northern Homesteads

The Mysterious Case of Carter Brown, or, Who Really Killed the Australian Author

The Sun’s Fish Dreaming : The Poetry of Andrew Taylor

*Geoffry Hamlyn* and Its Australian Setting

The Tidiest Revolution: Regulative Feminist Autobiography and the De-Facement of the Australian Women’s Movement

Conversations at Rochester Road: Carmel Bird Discusses Her Writing with Shirley Walker

Reading (in/and) *Miranda*

Not Reading the Nation: Australian Readers of the 1890s

Mid-Victorian Reading and the Antipodes

‘This Isn’t a Novel. It is a Life!’ : Dymphna Cusack and *Caddie: A Sydney Barmaid*

Erocide Is Painless: Insensation in Les Murray’s *Fredy Neptune*

Singing up Country in the Poetry of Judith Wright and Pablo Neruda

The Significance of Littoral in Beverley Farmer’s Novel *The Seal Woman*

An Indian without a Country

Imagining Transcendence: The Poetry of David Malouf