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The Sun’s Fish Dreaming : The Poetry of Andrew Taylor

*Geoffry Hamlyn* and Its Australian Setting

The Tidiest Revolution: Regulative Feminist Autobiography and the De-Facement of the Australian Women’s Movement

Conversations at Rochester Road: Carmel Bird Discusses Her Writing with Shirley Walker

Reading (in/and) *Miranda*

Not Reading the Nation: Australian Readers of the 1890s

Mid-Victorian Reading and the Antipodes

‘This Isn’t a Novel. It is a Life!’ : Dymphna Cusack and *Caddie: A Sydney Barmaid*

Erocide Is Painless: Insensation in Les Murray’s *Fredy Neptune*

Singing up Country in the Poetry of Judith Wright and Pablo Neruda

The Significance of Littoral in Beverley Farmer’s Novel *The Seal Woman*

An Indian without a Country

Imagining Transcendence: The Poetry of David Malouf

‘Some Means of Learning of the Best New Books’: *All About Books* and the Modern Reader

Greeks and Moderns: The Search for Culture in the *Official History of Australia in the War of 1914-1918*

Anachronism, Ekphrasis and the ‘Shape of Time’ in *The Great Fire*

The Significance of Littoral in Beverley Farmer’s Novel *The Seal Woman*

Counter-Poetics

Alien Intoxications: The Aggressions of a Brisbane Opium Smoker

Patrick White’s Studies for *Voss*