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The Structure of Frederic Manning’s War Novel *Her Privates We*

The Poetic Narrative of R.D. FitzGerald’s ‘Between Two Tides’

‘realer than the Real’ : Francis Webb’s 'Ward Two'

Reading the Signs of Michael Wilding’s ‘Knock, Knock’

Exploring Aesthetics: The Picturesque Appropriation of Land in Journals of Australian Exploration

Boundary Crossing: The Novels of David Foster

Leisure and Grief: The Recent Poetry of Chris Wallace-Crabbe

‘Not a Good Forgetter’: H.H. Richardson’s Recasting of the Past in *Myself When Young*

Paris, Moscow, Melbourne: Some Avant-Garde Australian Little Magazines, 1930-1934

‘Deadly’ Work: Reading the Short Fiction of Archie Weller

Challenging History Making: Realism, Revolution and Utopia in *The Timeless Land*

Remaking the Middle Ages in Australia: Francis Webb’s ‘The Canticle’ (1953)

Colonial History and Post-Colonial Fiction : The Writing of Thea Astley

Writers Behaving Badly: Stead, Bourdieu and Australian Literary Culture

My Brilliant Career and 1890s Goulburn

Wishing for Modernity: Temporality and Desire in *Gould’s Book of Fish*

‘Does all Melbourne smell like this?’: The Colonial Metropolis in Marvellous Melbourne

Textual Phantasmagoria: Marcus Clarke, Light Literature and the Colonial Uncanny

Subdivisions of Suburbia: The Politics of Place in Melissa Lucashenko’s *Steam Pigs* and Amanda Lohrey’s *Camille’s Bread*

Criminal Transport: George Barrington and the Colonial Cure