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‘Roost High and Crow Low’: The Legacy of Barry Andrews

The Artful Man: Theory and Authority in Brian Castro’s Fiction

Criminal Transport: George Barrington and the Colonial Cure

Australian Literature: Points for Departure

The Literary Reputation of Adam Lindsay Gordon

A. D. Hope and the Apocalyptic Splendour of the Sexes

Revisiting the ‘Mystery of a Novel Contest’ : The *Daily Telegraph* and *Come in Spinner*

‘Talking with Yagan’s Head’: The Poetry of John Mateer

The Tidiest Revolution: Regulative Feminist Autobiography and the De-Facement of the Australian Women’s Movement

Reflecting the Detectives: Crime Fiction and the New Journalism in Late Nineteenth-Century Australia

Reading (in/and) *Miranda*

Unbecoming Australians : Crisis and Community in the Australian Villa/ge Book

Erocide Is Painless: Insensation in Les Murray’s *Fredy Neptune*

Dear Daughter: Popular Feminism, the Epistolary Form and the Limits of Generational Rhetoric

Of Sages and Sybils: Alec Hope and Judith Wright

The Significance of Littoral in Beverley Farmer’s Novel *The Seal Woman*

Ambivalence, Absence and Loss in David Malouf’s *Remembering Babylon*

‘What Would Civilisation Be without a Gun?’ The Resistant Land in Sarah Campion’s Burdekin Trilogy

Paternalism and Complicity: Or How Not to Atone for the ‘Sins of the Father’

The Eco-Humanities as Literature: A New Genre?