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- ‘Soil Is a Toil Needing All to Recoil’: Lionel Fogarty, Andrew Forrest, and the Settler-Colonial GeorgicEssay2 May 2023
- Coetzee and Wicomb: Writers Giving an Account of Themselves in *Age of Iron* and *October*Essay25 February 2018
- The Struggle of the Modern in AustraliaEssay1 May 1984
- ‘Listen to the People Who Know’: Nuclear Colonial Memory in the Work of Natalie Harkin and Yhonnie ScarceEssay2 May 2023
- Gwen Harwood and the ProfessorsEssay1 May 1972
- Review of *Death is a Good Solution* by A.W. Baker; and *Snow on the Saltbush* by Geoffrey DuttonReview1 May 1987
- Review of *Mapped But Not Known: The Australian Landscape of the Imagination*, ed. P .R. Eadcn and F.H. MaresReview1 May 1988
- Review by Christopher KochReview1 May 1991
- Review of *J.S. Manifold--An Introduction to the Man and his Work* by Rodney HallReview1 May 1979
- Apocalyptic Climate Fiction in the Third Media Revolution: Briohny Doyle’s *The Island Will Sink*Essay30 September 2022
- Voyage and Kaleidoscope in George Johnston’s TrilogyEssay1 October 1973
- The Language of Music: Helen Garner’s *The Children’s Bach*Essay1 October 1990
- ‘My Little Ghost-Slave’: The Queer Lives of Rosa PraedEssay1 October 1996
- Shirley Hazzard: Transit and *The Bay of Noon*Essay1 October 1987
- ‘realer than the Real’ : Francis Webb’s 'Ward Two'Essay1 May 1979
- Manifesto of the Senses: Blind Sightedness in Christina Stead’s *For Love Alone*Essay1 October 2009
- Where Literary Studies Is, and What It DoesEssay1 June 2013
- ‘This Country is My Mind’: Les Murray’s Poetics of PlaceEssay1 October 2001
- Ideas about the Thing, Not the Thing Itself: Impact and Other Abstractions and the Politics of Research Performance MeasurementEssay1 November 2013
- Words Are Not Enough: Loss, Grief and Incommunicability in Jennifer Down’s Short Stories ‘Aokigahara’ and ‘Pulse Points’Essay30 September 2022