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- The Fortunate FlâneuseEssay1 November 2015
- David Campbell’s Poetic MindEssay1 October 1984
- The Novel as ‘Work in Progress’: Shirley Hazzard’s *The Transit of Venus*Essay1 June 1991
- An Interview with Archie WellerEssay1 October 1993
- Helen Garner’s *Monkey Grip*: The Construction of an Author and Her WorkEssay1 October 1992
- The Artful Man: Theory and Authority in Brian Castro’s FictionEssay1 May 2002
- Shopping at Last!: History, Fiction and the Anti-Suburban TraditionEssay1 November 1998
- ‘Will This be Your Poem, or Mine?’: The Give and Take of StoryEssay1 October 2007
- Spatialising Experience : Gail Jones’s *Black Mirror* and the Contending of Postmodern SpaceEssay1 October 2007
- Salt Scars: John Kinsella’s WheatbeltEssay1 June 2012
- Forgotten Books and Local Readers: Popular Fiction in the Library at the Turn of the Twentieth CenturyEssay1 October 2014
- Disciplined Action? The Challenges of English at Canterbury and BeyondEssay1 June 2013
- Self-Propagation and Self-Dissolution: The Paradox of Patrick White’s *Flaws in the Glass*Essay1 October 2013
- Back to Whitton Week: Tracking Tom Keneally's CareerEssay30 May 2015
- Review of *Commonwealth Literature*, edited by John Press, and *The Journal of Commonwealth Literature*, edited by Arthur RavenscroftReview1 June 1966
- Henry Kingsley and the Australian LandscapeEssay1 October 1970
- Gwen Harwood and the ProfessorsEssay1 May 1972
- Editors’ Statements [C.B. Christesen]Essay1 October 1981
- Review of *A Crucible of Prophets: Australians and the Question of God* by Veronica BradyReview1 October 1982
- Editors’ Statements [Jim Davidson]Essay1 October 1981