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Introduction: Writing Disability in Australia

Review of *Quadrant: Twenty-Five Years' ed. Peter Coleman, Lee Shrubb, Vivian Smith, and *A Possible Contemporary Poetry* ed. Martin Duwell

Review of *Gwen Harwood* ed. Robert Sellick; and *Reading Australian Poetry* by Andrew Taylor

Review of *The Mystery of Unity: Theme and Technique in the Novels of Patrick White* by Patricia A. Morley

The Penguin and the Man-O’-War Hawk: Joseph Furphy’s Critical Reputation, 1903-1947

The Aboriginal Subject in Autobiography: Ruby Langford’s *Don’t Take Your Love to Town*

Henry Kingsley: *Ravenshoe*

The Alienation of Alistair Cawdor in Randolph Stow’s *Visitants*

*Geoffry Hamlyn* and Its Australian Setting

Future Tense: *Dead Europe* and Viral Anti-Semitism

Manifesto of the Senses: Blind Sightedness in Christina Stead’s *For Love Alone*

*In the Heart of the Country* and Pain: Re-reading Space, Gender and Affect

Re-Imagining Indigenous Australia through the Short Story: *Heat and Light* by Ellen van Neerven

**Aboriginal Mobilities and Colonial Serial Fiction**

Interview with David Malouf

Review of *Nellie Melba, Ginger Meggs and Friends, Essays in Australian Cultural History* ed. Susan Dermody, John Docker and Drusilla Modjeska

‘The Loaded Dog’: A Celebration

‘Hearts of Gold and a Happy Ending’: The Appeal of *The Harp in the South*

In the Beginning: David Malouf’s *An Imaginary Life*

A New Version of Pastoral: Developments in Michael Wilding’s Fiction