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Review of books by L.T. Hergenhan, Colin Roderick and Clement Semmler

Fiction

R.D. FitzGerald’s 'The Face of the Waters'

The Cult of the Author

Review of *That Shining Band,* *Christina Stead*, *Dancing on Hot Macadam: Peter Carey's Fiction*, *Provisional Maps: Critical Essays on David Malouf,* and *The Ironic Eye*

Ada Cambridge, G.F. Cross, and ‘The Modern Pulpit’

Review of *Jean Devanny: Romantic Revolutionary*, by Carole Ferrier

Review of *Gail Jones: Word, Image, Ethics*, by Tanya Dalziell

Disability in Three Australian Gothic Novels: *The Well*, *Sing Fox to Me* and *Lilian’s Story*

Review of *Polities and Poetics: Race Relations and Reconciliation in Australian Literature* by Adelle Sefton-Rowston

Review of *A World of Fiction: Digital Collections and the Future of Literary History*, by Katherine Bode

Recentring Water: Thinking with the Chain of Ponds

Review of *The Antipodean Laboratory: Making Colonial Knowledge, 1770–1870*, by Anna Johnston

Yeatsian Afterlives in Josephine Rowe’s *Little World*

Picturising Patois in *The Sentimental Bloke*

The Historical Basis of For the Term of His Natural Life

The Boer War: Paterson, Abbott, Brennan, Miles Franklin and Morant

Sir Samuel Griffith, Dante and the Italian Presence in Nineteenth-Century Australian Literary Culture

‘Shafts into Our Fundamental Animalism’: Barbara Baynton’s Use of Naturalism in *Bush Studies*

‘Un Sans Culotte’: The *Bulletin*’s Early Theatre Criticism and the Masculine Bohemian Masquerade