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Ada Cambridge, G.F. Cross, and ‘The Modern Pulpit’

Review of *Jean Devanny: Romantic Revolutionary*, by Carole Ferrier

Review of *Gail Jones: Word, Image, Ethics*, by Tanya Dalziell

Disability in Three Australian Gothic Novels: *The Well*, *Sing Fox to Me* and *Lilian’s Story*

Review of *Polities and Poetics: Race Relations and Reconciliation in Australian Literature* by Adelle Sefton-Rowston

Review of *A World of Fiction: Digital Collections and the Future of Literary History*, by Katherine Bode

Recentring Water: Thinking with the Chain of Ponds

Review of *The Antipodean Laboratory: Making Colonial Knowledge, 1770–1870*, by Anna Johnston

Picturising Patois in *The Sentimental Bloke*

The Historical Basis of For the Term of His Natural Life

The Boer War: Paterson, Abbott, Brennan, Miles Franklin and Morant

Sir Samuel Griffith, Dante and the Italian Presence in Nineteenth-Century Australian Literary Culture

‘Shafts into Our Fundamental Animalism’: Barbara Baynton’s Use of Naturalism in *Bush Studies*

‘Un Sans Culotte’: The *Bulletin*’s Early Theatre Criticism and the Masculine Bohemian Masquerade

The Drowned World of Kenneth Slessor

Ideas about the Thing, Not the Thing Itself: Impact and Other Abstractions and the Politics of Research Performance Measurement

‘Lights all askew in the heavens’: Einsteinian Relativity, Literary Modernism and the Lecture on Light in Christina Stead’s *Seven Poor Men of Sydney*

Textual Encounters of the Bird Kind: Dal Stivens and the Night Parrot

Australian Letters and Postwar Modernity

Asia and the Contemporary Australian Novel