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Richard Rorty’s Pragmatic Rehabilitation of Literary Criticism as a ‘Kind of Writing’

Constructing Cosmopolitanism, Promoting Humanitarianism: The Marvellous Melbourne of E.W. Cole in Lisa Lang’s *Utopian Man* (2010)

Apocalyptic Climate Fiction in the Third Media Revolution: Briohny Doyle’s *The Island Will Sink*

‘Ourselves Alone’? Encounters Between the Irish Literary Revival and Australian Settler-Modernisms, ca. 1913–1919

Less and More: The Poetics of Trauma and Transition in Kayleb Rae Candrilli’s What Runs Over

Mal du Pays: Symbolic Geography in the Work of Randolph Stow

‘Odysseus from the Outback’: *Fredy Neptune* in German and Its Critical Reception

Australian Letters and Postwar Modernity

Reading Byron in Kororāreka: *The Journal of Ensign Best*

Reading the South Through Northern Eyes: Jorge Luis Borges’s Australian Reception, 1962–2016

A Note on the Reception of Patrick White’s Novels in German Speaking Countries (1957-1979)

A Governor, a Farmer, an Emperor: Rome and Australia in Geoffrey Lehmann

A Survey of Australian Utopian and Dystopian Fiction

Marcus Clarke and the Theatre

Urban Influence on Australian Literature in the Late Nineteenth Century

The Bridled Pegaroo, or, Is there a Colonial Poetics of Intertextuality

Feral Symbolists: Robert Adamson, John Tranter, and the Response to Rimbaud

Leisure and Grief: The Recent Poetry of Chris Wallace-Crabbe

Randolph Stow’s *Outrider* and the French Voyager Poem

Man, Work and Country: The Production of Henry Lawson