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David Malouf’s *Child’s Play* and ‘The Death of the Author’

A Fiction of Sisters: Christina Stead’s *Letty Fox* and *For Love Alone*

‘Current History Looks Apocalyptic’: Barnard Eldershaw, Utopia and the Literary Intellectual, 1930s-1940s

Ripping Yarns, Ideology, and *Robbery Under Arms*

Gender and Genre in Barbara Baynton’s *Human Toll*

‘White Ravens’ in a World of Violence: German Connections in Thomas Keneally’s Fiction

Meta-Medievalism and the Future of the Past in the ‘Australian Girl’ Novel

Truth beyond the Language Game: The Poetry of Gwen Harwood

Some Mary Gilmore Letters

The Structure of Frederic Manning’s War Novel *Her Privates We*

The Poetic Narrative of R.D. FitzGerald’s ‘Between Two Tides’

‘realer than the Real’ : Francis Webb’s 'Ward Two'

Reading the Signs of Michael Wilding’s ‘Knock, Knock’

Exploring Aesthetics: The Picturesque Appropriation of Land in Journals of Australian Exploration

Boundary Crossing: The Novels of David Foster

Leisure and Grief: The Recent Poetry of Chris Wallace-Crabbe

‘Not a Good Forgetter’: H.H. Richardson’s Recasting of the Past in *Myself When Young*

Paris, Moscow, Melbourne: Some Avant-Garde Australian Little Magazines, 1930-1934

‘Deadly’ Work: Reading the Short Fiction of Archie Weller

Challenging History Making: Realism, Revolution and Utopia in *The Timeless Land*