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- **‘Ordinary Readers’ and Political Uses: Re-Examining Helen Garner’s Non-Fiction Writings about Filicide**Essay29 October 2020
- ‘Shafts into Our Fundamental Animalism’: Barbara Baynton’s Use of Naturalism in *Bush Studies*Essay1 May 1996
- Good Readers and Good Citizens: Literature, Media and the NationEssay1 October 1999
- A Politics of the Dreamtime: Destructive and Regenerative Rainbows in Alexis Wright’s *Carpentaria*Essay1 November 2008
- Adaptation Studies, Convention, Vocal Production and Embodied Meaning in Verdi’s Macbeth: Rehabilitating the Brindisi, or, Lady Macbeth Unsexes HerselfEssay1 June 2014
- Culture wars and corporatism: The cultural mission in Australian non-fiction book publishing, 1958–2018Essay28 April 2020
- Capricornia : Seasonal, Diurnal and Colour PatternsEssay1 October 1979
- The Tank Stream Press: Urban Modernity and Cultural Life in Christina Stead’s *Seven Poor Men of Sydney*Essay7 December 2016
- Who is My Neighbour?: Tim Winton’s ‘Aquifer’ and the Ghosts of CloudstreetEssay26 February 2017
- Society and Nature in Such is LifeEssay1 December 1963
- Review of *Australian Literary Criticism* edited by Grahame JohnstonReview1 December 1963
- A.G. Stephens as Editor of Barcroft Boake’s Poems : A CommentEssay1 May 1969
- Authors’ Statements [Judah Waten]Essay1 October 1981
- The 20th Anniversary of *ALS*: Comments by A.D. Hope, Leonie Kramer and the EditorEssay1 October 1983
- David Campbell’s Poetic MindEssay1 October 1984
- Review of *Modern Australian Prose: 1901-1975, A Guide to Information Sources* comp. by A. Grove DayReview1 May 1982
- Reading Men Like Signboards: The Egalitarian Semiotic of *Such is Life*Essay1 May 1986
- Rolf Boldrewood’s *War to the Knife*: Narrative Form and Ideology in the Historical NovelEssay1 May 1986
- Marcus Clarke and the TheatreEssay1 May 1975
- A Note on Morris West’s First NovelEssay1 May 1974