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The Structure of Frederic Manning’s War Novel *Her Privates We*

A Survey

‘The Orange Tree’ and the Limitations of Poetry

Miles Franklin, *My Brilliant Career* and the Female Tradition

The Alienation of Alistair Cawdor in Randolph Stow’s *Visitants*

Exploring Aesthetics: The Picturesque Appropriation of Land in Journals of Australian Exploration

The Bridled Pegaroo, or, Is there a Colonial Poetics of Intertextuality

The Novel as ‘Work in Progress’: Shirley Hazzard’s *The Transit of Venus*

Gender, Genre, and Sybylla’s Performative Identity in Miles Franklin’s *My Brilliant Career*

Life-Lines in Stormy Seas: Some Recent Collections of Women’s Diaries and Letters

Some Recent Australian Fictions in the Age of Tourism: Murray Bail, Inez Baranay, Gerard Lee

Challenging History Making: Realism, Revolution and Utopia in *The Timeless Land*

Dramatising the Self: Beverley Farmer’s Fiction

Imagined Counterpart: Outlining a Conceptual Literary Geography of Australia

‘The Great Australian Emptiness’ Revisited: Murray Bail’s *Holden’s Performance*

Man, Work and Country: The Production of Henry Lawson

That Hilarious Supplement: Gerald Murnane’s *A Lifetime on Clouds*

‘The Craft So Long to Learn’: Ruth Park’s Story of Ruth Park

The Ethics of Abjection: Patrick White’s *Riders in the Chariot*

Getting a Head: Dismembering and Remembering in Robert Drewe’s *The Savage Crows*