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- Displaced Homelands in Gerald Murnane’s *Inland*Essay30 September 2021
- Losing Sight of Billy: Moving Beyond the Specular in *Haxby’s Circus*Essay23 May 2022
- The Reflexive Carter Brown, or the Prescience of *Last Note for a Lovely*Essay28 October 2021
- Malley and Campalans: Apocryphal Modernists Yearning for RecognitionEssay19 December 2024
- Irish Protestant Colonialism and Educational Ideology in Australia:** **Hannah Boyd’s *Letters on Education* (1848)Essay30 September 2021
- Inner Voices and the First CoilEssay1 October 1979
- ‘Botany Bay Litterateur’ : D.H. Deniehy’s Literary CriticismEssay1 October 1979
- Reading Byron in Kororāreka: *The Journal of Ensign Best*Essay31 October 2015
- The Surrender to Truth in The Early Australian NovelEssay1 December 1965
- Literary Nationalism and the 1890sEssay1 May 1971
- Family and the Father in the Poetry of Les A. MurrayEssay1 May 1988
- A Fiction of Sisters: Christina Stead’s *Letty Fox* and *For Love Alone*Essay1 May 1989
- ‘Current History Looks Apocalyptic’: Barnard Eldershaw, Utopia and the Literary Intellectual, 1930s-1940sEssay1 October 1989
- Olivia and Chloe: Fictions of Female FriendshipEssay1 May 1989
- Price Warung: Some Bibliographical Details and a Checklist of the StoriesEssay1 October 1968
- Louisa and Henry and Gertie and the Drover’s WifeEssay1 May 1980
- Last Flight to Byzantium: *Memoirs of Many in One*Essay1 June 1991
- Gender, Genre, and Sybylla’s Performative Identity in Miles Franklin’s *My Brilliant Career*Essay1 October 1997
- Some Recent Australian Fictions in the Age of Tourism: Murray Bail, Inez Baranay, Gerard LeeEssay1 October 1993
- Enlarging Our Experiments with Narrative: John A. Scott’s Triology with AnnotationsEssay1 May 1992