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- Gender and Genre in Barbara Baynton’s *Human Toll*Essay1 May 1989
- Representation and Particularity in Pastoral: Some Examples from *Walden*Essay30 June 2015
- Grant Watson and the Aborigine: A Tragic Voice in an Age of OptimismEssay1 May 1975
- Narrative Perspective and Cultural History in *Robbery Under Arms*Essay1 May 1973
- Marcus Clarke: ‘Christianity is Dead’Essay1 October 1973
- The Structure of Frederic Manning’s War Novel *Her Privates We*Essay1 October 1974
- A SurveyEssay1 October 1977
- ‘The Orange Tree’ and the Limitations of PoetryEssay1 May 1978
- Miles Franklin, *My Brilliant Career* and the Female TraditionEssay1 May 1980
- The Alienation of Alistair Cawdor in Randolph Stow’s *Visitants*Essay1 October 1980
- Exploring Aesthetics: The Picturesque Appropriation of Land in Journals of Australian ExplorationEssay1 October 1992
- The Bridled Pegaroo, or, Is there a Colonial Poetics of IntertextualityEssay1 June 1991
- The Novel as ‘Work in Progress’: Shirley Hazzard’s *The Transit of Venus*Essay1 June 1991
- Gender, Genre, and Sybylla’s Performative Identity in Miles Franklin’s *My Brilliant Career*Essay1 October 1997
- Life-Lines in Stormy Seas: Some Recent Collections of Women’s Diaries and LettersEssay1 May 1993
- Some Recent Australian Fictions in the Age of Tourism: Murray Bail, Inez Baranay, Gerard LeeEssay1 October 1993
- Challenging History Making: Realism, Revolution and Utopia in *The Timeless Land*Essay1 May 1995
- Dramatising the Self: Beverley Farmer’s FictionEssay1 October 1995
- Imagined Counterpart: Outlining a Conceptual Literary Geography of AustraliaEssay1 June 1991
- ‘The Great Australian Emptiness’ Revisited: Murray Bail’s *Holden’s Performance*Essay1 May 1991