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- Subdivisions of Suburbia: The Politics of Place in Melissa Lucashenko’s *Steam Pigs* and Amanda Lohrey’s *Camille’s Bread*Essay1 November 1998
- Dorothy Hewett’s Faith in DoubtEssay1 May 2001
- Cold War, Home Front : Australian Women Writers and Artists in the 1950sEssay1 May 2002
- In His Own Sweet Time: Carmen’s Coming OutEssay1 October 2004
- *Geoffry Hamlyn* and Its Australian SettingEssay1 June 1963
- ‘Talking with Yagan’s Head’: The Poetry of John MateerEssay1 October 2000
- Mid-Victorian Reading and the AntipodesEssay1 May 2006
- Reading Kate Llewellyn’s Garden(Books)Essay1 October 2006
- C. J. Brennan’s *A Chant of Doom*: Australia’s Medieval WarEssay1 May 2007
- Future Tense: *Dead Europe* and Viral Anti-SemitismEssay1 November 2008
- Of Sages and Sybils: Alec Hope and Judith WrightEssay1 May 2009
- Ambivalence, Absence and Loss in David Malouf’s *Remembering Babylon*Essay1 June 2009
- Tainted Testimony : The Khouri AffairEssay1 October 2004
- ‘Composing the Self’: Metaphors of Creativity in Henry Handel Richardson’s *Myself When Young*Essay1 October 2005
- Judith Wright and Frank Scott: Gendering Modernist Networks in Australia and CanadaEssay1 October 2006
- Burglary in Shady Hill and Sarsaparilla: The Politics of Conformity in White and CheeverEssay1 October 2006
- ‘I shall tell just such stories as I please’ : Mary Fortune and the *Australian Journal*Essay1 October 2007
- Spatialising Experience : Gail Jones’s *Black Mirror* and the Contending of Postmodern SpaceEssay1 October 2007
- Adapting Australian Novels for the Stage: La Boite Theatre’s Version of *Last Drinks*, *Perfect Skin*, and *Johnno*Essay1 October 2008
- Valerie Solanas and the Limits of SpeechEssay1 November 2009