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Alien Intoxications: The Aggressions of a Brisbane Opium Smoker

‘I have so many truths to tell’: Randolph Stow’s *Visitants* and *The Girl Green as Elderflower*

A Dream-Temple of Collective Imagination : Exploring Community in Carmel Bird’s *Cape Grimm*

Delight and Revolution: Literary Studies, Aesthetics and Ideology

A Dog with a Broken Back: Animals as Rhetoric and Reality in the Fiction of J. M. Coetzee

Under the Angle: Memory, History, and Dance in Nineteenth-Century Medievalism

Sex and the City: New Novels by Women and Middlebrow Culture at Mid-Century

Reading in Public: Irene Longman and Citizenship

Wartime Reading: Romantic Era Military Periodicals and the Edinburgh Review

‘A Vermeer in the Hayloft’: Christina Stead, Unjust Neglect and Transnational Improprieties of Place and Kind

The Tank Stream Press: Urban Modernity and Cultural Life in Christina Stead’s *Seven Poor Men of Sydney*

*His Natural Life* and Its Sources

Annual Bibliography of Studies in Australian Literature: 1991

Annual Bibliography of Studies in Australian Literature: 1995

Annual Bibliography of Studies in Australian Literature: 1998

Antipodal Ireland and Tasmanian Underworlds: John Mitchel and William Moore Ferrar

Introduction: The Uses of Irish-Australian Literature

Blood and Names: Spectres of Irishness in Ruth Park’s *The Harp in the South* Trilogy

‘Islands, Islands’: An Archipelagic Reading of Ruth Park’s *Fishing in the Styx* (1993)

Bridging Distances: Ruth Park’s *A Power of Roses* (1953)