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‘Will This be Your Poem, or Mine?’: The Give and Take of Story

Erocide Is Painless: Insensation in Les Murray’s *Fredy Neptune*

Review of *Bluestocking in Patagonia*, by Anne Whitehead

Paternalism and Complicity: Or How Not to Atone for the ‘Sins of the Father’

The Eco-Humanities as Literature: A New Genre?

Humanitarian Sex: Biopolitics, Ethics, and Aid Worker Memoir

Alien Intoxications: The Aggressions of a Brisbane Opium Smoker

‘I have so many truths to tell’: Randolph Stow’s *Visitants* and *The Girl Green as Elderflower*

A Dream-Temple of Collective Imagination : Exploring Community in Carmel Bird’s *Cape Grimm*

Delight and Revolution: Literary Studies, Aesthetics and Ideology

A Dog with a Broken Back: Animals as Rhetoric and Reality in the Fiction of J. M. Coetzee

Under the Angle: Memory, History, and Dance in Nineteenth-Century Medievalism

Sex and the City: New Novels by Women and Middlebrow Culture at Mid-Century

Reading in Public: Irene Longman and Citizenship

Wartime Reading: Romantic Era Military Periodicals and the Edinburgh Review

‘A Vermeer in the Hayloft’: Christina Stead, Unjust Neglect and Transnational Improprieties of Place and Kind

The Tank Stream Press: Urban Modernity and Cultural Life in Christina Stead’s *Seven Poor Men of Sydney*

*His Natural Life* and Its Sources

Annual Bibliography of Studies in Australian Literature: 1991

Annual Bibliography of Studies in Australian Literature: 1995