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Patrick White’s *A Fringe of Leaves*: History and Fiction

Christina Stead: A Checklist

Fred J. Broomfield: Research Assistant Extraordinaire

Colonial ‘Australian’ Theatre Writers: Cultural Authorship and the Case of Marcus Clarke’s ‘First’ Play

James McAuley’s New Guinea : Colonialism, Modernity and Suburbia

Contesting Enslavement: Marriage, Manhood and *My Brilliant Career*

The Drowned World of Kenneth Slessor

‘Scorched Earth’, Washington and the Missing Manuscript of Christina Stead’s *I’m Dying Laughing*

Authors, Editors, Publishers: Katharine Susannah Prichard and W. W. Norton

Henry Lawson and the ‘Pinker of Literary Agents’

Interview with Christos Tsiolkas: ‘What Does Fiction Do?’: On *Dead Europe*: Ethics and Aesthetics

Displaying the Monster: Patrick White, Sexuality, Celebrity

Remembering the War: Australian Novelists of the InterWar Years

Australian Gothic: Theatre and the Northern Turn

Indigenous Sovereignty and the Crisis of Whiteness in Alexis Wright’s *Carpenteria*

What Falls from View? On Re-Reading Alexis Wright’s *Plains of Promise*

R. Strauss, Opus 67, 1-3, Drei Lieder der Ophelia: Ophelia Set adrift in the Cross-Currents of Interdisciplinary Culture

Biopolitical Correspondences: Settler Nationalism, Thanatopolitics, and the Perils of Hybridity

Models of Publishing and Opportunities for Change: Representations in Harlequin, Montlake and Self-Published Romance Novels

Defining and Redefining Popular Genres: The Evolution of ‘New Adult’ Fiction