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- The Self and the Magic Lantern: Gender and Subjectivity in Australian Colonial Women’s Writing [1992]Essay1 May 1992
- G.A.S. in Australia: Hot Air Down-Under?Essay1 October 1992
- Three-Dimensionality and *My Brother Jack*Essay1 May 1997
- Review of *Black Words, White Page: Aboriginal Literature 1929-1988* by Adam ShoemakerReview1 May 1990
- My Brilliant Career and RadicalismEssay1 October 2002
- Wishing for Political Dominance: Representations of History and Community in Queer TheoryEssay1 October 2003
- Fold in the Map: Figuring Modernity in Gail Jones’s *Dreams of Speaking* and Elizabeth Knox’s *Dreamhunter*Essay1 October 2007
- ‘His Grief Is the Plague’ Poetry of Loss and the Risk of Losing One’s ReadersEssay1 November 2013
- Review of *Time, Tide and History: Eleanor Dark’s Fiction, edited by Fiona Morrison and Brigid Rooney*Review19 December 2024
- 'Taking the flowery bed back to Australia': The Repatriation of Charmian Clift and George JohnstonEssay1 June 2016
- Back to Whitton Week: Tracking Tom Keneally's CareerEssay30 May 2015
- Christina Stead’s Earliest PublicationsEssay7 December 2016
- Interview with Randolph StowEssay1 May 1982
- ‘A Depressed Amor’: Richardson’s ‘The Bathe: a Grotesque’Essay1 May 1992
- **‘Ordinary Readers’ and Political Uses: Re-Examining Helen Garner’s Non-Fiction Writings about Filicide**Essay29 October 2020
- ‘Shafts into Our Fundamental Animalism’: Barbara Baynton’s Use of Naturalism in *Bush Studies*Essay1 May 1996
- Good Readers and Good Citizens: Literature, Media and the NationEssay1 October 1999
- A Politics of the Dreamtime: Destructive and Regenerative Rainbows in Alexis Wright’s *Carpentaria*Essay1 November 2008
- Adaptation Studies, Convention, Vocal Production and Embodied Meaning in Verdi’s Macbeth: Rehabilitating the Brindisi, or, Lady Macbeth Unsexes HerselfEssay1 June 2014
- Culture wars and corporatism: The cultural mission in Australian non-fiction book publishing, 1958–2018Essay28 April 2020