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- Fold in the Map: Figuring Modernity in Gail Jones’s *Dreams of Speaking* and Elizabeth Knox’s *Dreamhunter*Essay1 October 2007
- ‘His Grief Is the Plague’ Poetry of Loss and the Risk of Losing One’s ReadersEssay1 November 2013
- Review of *Time, Tide and History: Eleanor Dark’s Fiction, edited by Fiona Morrison and Brigid Rooney*Review19 December 2024
- 'Taking the flowery bed back to Australia': The Repatriation of Charmian Clift and George JohnstonEssay1 June 2016
- Back to Whitton Week: Tracking Tom Keneally's CareerEssay30 May 2015
- Christina Stead’s Earliest PublicationsEssay7 December 2016
- Interview with Randolph StowEssay1 May 1982
- ‘A Depressed Amor’: Richardson’s ‘The Bathe: a Grotesque’Essay1 May 1992
- **‘Ordinary Readers’ and Political Uses: Re-Examining Helen Garner’s Non-Fiction Writings about Filicide**Essay29 October 2020
- ‘Shafts into Our Fundamental Animalism’: Barbara Baynton’s Use of Naturalism in *Bush Studies*Essay1 May 1996
- Good Readers and Good Citizens: Literature, Media and the NationEssay1 October 1999
- A Politics of the Dreamtime: Destructive and Regenerative Rainbows in Alexis Wright’s *Carpentaria*Essay1 November 2008
- Adaptation Studies, Convention, Vocal Production and Embodied Meaning in Verdi’s Macbeth: Rehabilitating the Brindisi, or, Lady Macbeth Unsexes HerselfEssay1 June 2014
- Culture wars and corporatism: The cultural mission in Australian non-fiction book publishing, 1958–2018Essay28 April 2020
- Capricornia : Seasonal, Diurnal and Colour PatternsEssay1 October 1979
- The Tank Stream Press: Urban Modernity and Cultural Life in Christina Stead’s *Seven Poor Men of Sydney*Essay7 December 2016
- Who is My Neighbour?: Tim Winton’s ‘Aquifer’ and the Ghosts of CloudstreetEssay26 February 2017
- Society and Nature in Such is LifeEssay1 December 1963
- Review of *Australian Literary Criticism* edited by Grahame JohnstonReview1 December 1963
- A.G. Stephens as Editor of Barcroft Boake’s Poems : A CommentEssay1 May 1969