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- Reading Byron in Kororāreka: *The Journal of Ensign Best*Essay31 October 2015
- In Custody: Thomas Keneally and American StoriesEssay30 May 2015
- Havelock Ellis’s Australian IdyllEssay1 June 1967
- Xavier Herbert: *Capricornia*Essay1 October 1970
- The Reconstruction of Self: Background and Design in George Johnston’s Meredith TrilogyEssay1 October 1984
- God’s Sublime Order in Harpur’s ‘The Creek of the Four Graves’Essay1 May 1984
- Meta-Medievalism and the Future of the Past in the ‘Australian Girl’ NovelEssay1 October 2011
- Centre of Fierceness: Francis Webb’s Vision of the ArtistEssay1 October 1975
- Jindyworobaks and AboriginesEssay1 May 1977
- Old Orders, New Lands: The Earth Spirit in Picnic at Hanging RockEssay1 May 1978
- Impossible Coincidences: Narrative Strategy in Brian Castro’s *Birds of Passage*Essay1 October 1990
- Lesbia Harford’s Homefront Warrior and Women’s World War I WritingEssay1 May 1995
- Some Recent Australian Fictions in the Age of Tourism: Murray Bail, Inez Baranay, Gerard LeeEssay1 October 1993
- Racism, the Realist Writers’ Movement and the Katharine Susannah Prichard AwardEssay1 October 1999
- Wishing for Modernity: Temporality and Desire in *Gould’s Book of Fish*Essay1 May 2003
- The Fiction of Gabrielle LordEssay1 October 1999
- A. D. Hope and the Apocalyptic Splendour of the SexesEssay1 October 2000
- Reading (in/and) *Miranda*Essay1 May 2006
- ‘The Life, the Loves, of that Dark Race’: The Ethnographic Verse of Mid-Nineteenth-Century AustraliaEssay1 May 2007
- The Modernist *roman à clef* and Cultural Secrets, or, I Know that You Know that I Know that You KnowEssay1 November 2009