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- How Newness (Not) Comes into the World: Eva Rask Knudsen’s *The Circle and the Spiral*Essay1 October 2006
- Challenging Voices: Tracing the Problematic Role of Testimony in Political ChangeEssay1 October 2006
- Colonial Violence and Forgotten FictionEssay1 June 2009
- **‘Like a Novel’: Literary Aesthetics, Nonfiction Ethics, and the *S-Town* podcast**Essay30 April 2021
- Review of *The Broad Arrow: Being Passages from the History of Maida Gwynnham, a Lifer*, by Oliné Keese, edited by Jenna MeadReview30 September 2022
- Introduction: The Uses of Irish-Australian LiteratureEssay30 September 2021
- ‘A dozen rich and luscious phrases’: Speech as characterisation of the working-class women in Ruth Park’s *The Harp in the South*Essay3 October 2024
- ‘An Explosive Novel of Strange Passions’: Horwitz Publications and Australia’s Pulp ModernismEssay19 December 2019
- Bruce Dawe and the AmericansEssay1 October 1979
- Literary Festivals and Cultural ConsumptionEssay1 May 2009
- Reading Byron in Kororāreka: *The Journal of Ensign Best*Essay31 October 2015
- The Fortunate FlâneuseEssay1 November 2015
- Slessor’s ‘Five Visions of Captain Cook’Essay1 May 1969
- Asian Stereotypes in Recent Australian PlaysEssay1 May 1985
- A Fiction of Sisters: Christina Stead’s *Letty Fox* and *For Love Alone*Essay1 May 1989
- Pastoral Retreat and Green Texts: The 2009 Globe Production of *Love’s Labour’s Lost*Essay30 June 2015
- Ways of Seeing : Henry Lawson’s ‘Going Blind’Essay1 May 1980
- The Alienation of Alistair Cawdor in Randolph Stow’s *Visitants*Essay1 October 1980
- Topographies of the Self: Coming to Terms with the Australian Landscape in Contemporary Australian PoetryEssay1 June 1991
- ‘Not a Good Forgetter’: H.H. Richardson’s Recasting of the Past in *Myself When Young*Essay1 May 1998