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A New Map of Australia: The Plays of David Williamson

Kipling’s Visit and the Early Reception of His Books in Australia (1889-1900)

War Correspondents in Australian Literature: An Outline

John Tranter: Absence in Flight

Anthologies and Orthodoxies

Drama’s Vitallest Expression: The Fiction of Olga Masters

Shirley Hazzard: Transit and *The Bay of Noon*

Representation and Particularity in Pastoral: Some Examples from *Walden*

Grant Watson and the Aborigine: A Tragic Voice in an Age of Optimism

The Craftsmanship of Lawson Revisited

Some Mary Gilmore Letters

The ‘Literary Photographs’ of Henry Lawson

Daniel Deniehy: A Checklist of Writings and Speeches

‘Savage Paradise’: History, Violence and the Family in Some Recent Australian Fiction

The Short Story Cycles of Frank Moorhouse

Is Phallocentricity a Sin? or a Peccadillo?: Comedy and Gender in Ethel Anderson’s *At Parramatta* and Patrick White’s *Voss*

Fringe Finds Focus: Developments and Strategies in Aboriginal Writing in English

The Novel as ‘Work in Progress’: Shirley Hazzard’s *The Transit of Venus*

‘Those Infernal Pictures’: Reading Helen Darville, Her Novel and Her Critics

‘Not a Good Forgetter’: H.H. Richardson’s Recasting of the Past in *Myself When Young*