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- The Practice of Pastoral Empathy in Wordsworth’s Salisbury Plain PoemsEssay30 June 2015
- What Created, What Perceived?: Early Responses to New South WalesEssay1 October 1975
- Annual Bibliography of Studies in Australian Literature: 1972Essay1 May 1973
- Annual Bibliography of Studies in Australian Literature: 1973Essay1 May 1974
- Patrick White’s *A Fringe of Leaves*: History and FictionEssay1 October 1978
- Christina Stead: A ChecklistEssay1 October 1980
- Fred J. Broomfield: Research Assistant ExtraordinaireEssay1 October 1980
- Colonial ‘Australian’ Theatre Writers: Cultural Authorship and the Case of Marcus Clarke’s ‘First’ PlayEssay1 May 1997
- James McAuley’s New Guinea : Colonialism, Modernity and SuburbiaEssay1 November 1998
- Contesting Enslavement: Marriage, Manhood and *My Brilliant Career*Essay1 October 2002
- The Drowned World of Kenneth SlessorEssay1 May 2001
- ‘Scorched Earth’, Washington and the Missing Manuscript of Christina Stead’s *I’m Dying Laughing*Essay1 May 2004
- Authors, Editors, Publishers: Katharine Susannah Prichard and W. W. NortonEssay1 October 2006
- Henry Lawson and the ‘Pinker of Literary Agents’Essay1 October 2007
- Interview with Christos Tsiolkas: ‘What Does Fiction Do?’: On *Dead Europe*: Ethics and AestheticsEssay1 November 2008
- Displaying the Monster: Patrick White, Sexuality, CelebrityEssay1 May 2010
- Remembering the War: Australian Novelists of the InterWar YearsEssay1 October 2007
- Australian Gothic: Theatre and the Northern TurnEssay1 June 2012
- Indigenous Sovereignty and the Crisis of Whiteness in Alexis Wright’s *Carpenteria*Essay1 November 2010
- What Falls from View? On Re-Reading Alexis Wright’s *Plains of Promise*Essay1 November 2010