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D. H. Lawrence’s Australia

Review of *Vance Palmer* by Harry Heseltine

Some Volumes of Selected Poems of the 1970s, II

A Note on the Reception of Patrick White’s Novels in German Speaking Countries (1957-1979)

Barbara Hanrahan’s Novels

Mateship, Individualism and the Production of Character in Australian Fiction

Shirley Hazzard: Transit and *The Bay of Noon*

Sentimental Jonah’s Heart of Stone

Nude Bathing Scenes as an Australian Pastoral Mode: Strategies and Tactics in Australian Art around the Turn of the Twentieth Century

Some Mary Gilmore Letters

Marcus Clarke’s *Chidiock Tichbourne*

The Alienation of Alistair Cawdor in Randolph Stow’s *Visitants*

The One-Actor Play in Australian Drama

Satyrs in the Top Paddock: Metaphysical Pastoral in Australian Poetry

Assimilation or Appropriation: Uses of European Literary Forms in Black Australian Writing

Impossible Coincidences: Narrative Strategy in Brian Castro’s *Birds of Passage*

Lesbia Harford’s Homefront Warrior and Women’s World War I Writing

A Neglected Interview between Henry Handel Richardson and Brian Penton, 1931-1933

‘Not a Good Forgetter’: H.H. Richardson’s Recasting of the Past in *Myself When Young*

Still Life: Art and Nature in Vivian Smith’s Poetry