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- Is Phallocentricity a Sin? or a Peccadillo?: Comedy and Gender in Ethel Anderson’s *At Parramatta* and Patrick White’s *Voss*Essay1 June 1991
- The Company She Keeps: Demidenko and Imposture in AutobiographyEssay1 October 2004
- Displaced Selves in Contemporary Fiction, or the Art of Literary ActivismEssay1 November 2013
- Mary Fortune as Sylphid: ‘blond, and silk, and tulle’Essay1 October 2012
- Brunton Stephens as Literary CriticEssay1 December 1965
- Review of *Mary Gilmore: A Tribute* by Dymphna Cusack, T. Inglis Moore, and Barrie OvendenReview1 December 1965
- Authors’ Statements [Anna Couani]Essay1 October 1981
- The SpruikerEssay1 May 1988
- Getting Things Straight With Comrade PopeEssay1 May 1988
- May DayEssay1 May 1988
- Introduction: Why Pastoral?Essay30 June 2015
- Mary and William Gilmore : A Family NoteEssay1 October 1972
- Norman Lindsay’s ‘Creative Effort’: Manifesto for an Urban IntelligentsiaEssay1 May 1973
- Tasma’s First PublicationEssay1 May 1992
- Response to Judith WrightEssay1 October 2000
- In Quest of a Quaker: A Note on Henry Savery’s Nom de PlumeEssay1 June 1963
- Wishing for Political Dominance: Representations of History and Community in Queer TheoryEssay1 October 2003
- Review of *Transcultural Graffiti: Diasporic Writing and the Teaching of Literary Studies*, by Russell West-PavlovReview1 May 2006
- Suburban Sonnets: ‘Mrs Harwood’, Miriam Stone and Domestic ModernityEssay1 October 2007
- Authors’ Statements [Christina Stead]Essay1 October 1981