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- Rufus Dawes and Changing Narrative Perspectives in *His Natural Life*Essay1 May 1986
- Meta-Medievalism and the Future of the Past in the ‘Australian Girl’ NovelEssay1 October 2011
- Pastoral Retreat and Green Texts: The 2009 Globe Production of *Love’s Labour’s Lost*Essay30 June 2015
- ‘The Scope of Women’s Thought is Necessarily Less’ : The Case of Ada CambridgeEssay1 October 1972
- Marcus Clarke: ‘Christianity is Dead’Essay1 October 1973
- The Structure of Frederic Manning’s War Novel *Her Privates We*Essay1 October 1974
- Marcus Clarke’s *Chidiock Tichbourne*Essay1 October 1974
- Thoughts on Some Recent PoetryEssay1 October 1977
- The Poetic Narrative of R.D. FitzGerald’s ‘Between Two Tides’Essay1 October 1978
- Impossible Coincidences: Narrative Strategy in Brian Castro’s *Birds of Passage*Essay1 October 1990
- The Short Story Cycles of Frank MoorhouseEssay1 October 1990
- Is Phallocentricity a Sin? or a Peccadillo?: Comedy and Gender in Ethel Anderson’s *At Parramatta* and Patrick White’s *Voss*Essay1 June 1991
- A Neglected Interview between Henry Handel Richardson and Brian Penton, 1931-1933Essay1 May 1998
- Life-Lines in Stormy Seas: Some Recent Collections of Women’s Diaries and LettersEssay1 May 1993
- Terra Australis: Landscape as Medium in *Capricornia* and *Poor Fellow My Country*Essay1 May 1995
- Dramatising the Self: Beverley Farmer’s FictionEssay1 October 1995
- Getting a Head: Dismembering and Remembering in Robert Drewe’s *The Savage Crows*Essay1 May 2003
- The Fiction of Gabrielle LordEssay1 October 1999
- ‘Years Later’: Temporality and Closure in Peter Carey’s NovelsEssay1 October 1999
- Gender and Race Relations in Elizabeth O’Conner’s Northern HomesteadsEssay1 May 2003