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The Support of Literature in Colonial Australia

Last Flight to Byzantium: *Memoirs of Many in One*

Assimilation or Appropriation: Uses of European Literary Forms in Black Australian Writing

The Use of Names and Colours in Randolph Stow’s *Tourmaline*

The Bridled Pegaroo, or, Is there a Colonial Poetics of Intertextuality

‘Greatness’ and Australian Literature in the 1930s and 1940s: Novels by Dark and Barnard Eldershaw

Leisure and Grief: The Recent Poetry of Chris Wallace-Crabbe

Janette Turner Hospital’s Radical Re-Writing: Oedipal Charades

‘Not a Good Forgetter’: H.H. Richardson’s Recasting of the Past in *Myself When Young*

Some Recent Australian Fictions in the Age of Tourism: Murray Bail, Inez Baranay, Gerard Lee

Dramatising the Self: Beverley Farmer’s Fiction

What Can Be Read and What Can Only Be Seen in Tim Winton’s Fiction

Towards a History of Literary Programming on ABC Radio

‘Distant Voices, Still Lives’: The Correspondence Between H.H. Richardson and Her French Translator, Paul Solanges

Colonial History and Post-Colonial Fiction : The Writing of Thea Astley

Cultural Memory in Postcolonial Fiction: The Uses and Abuses of Ned Kelly

Getting a Head: Dismembering and Remembering in Robert Drewe’s *The Savage Crows*

The Solitariness of Alex Miller

Subdivisions of Suburbia: The Politics of Place in Melissa Lucashenko’s *Steam Pigs* and Amanda Lohrey’s *Camille’s Bread*

Dorothy Hewett’s Faith in Doubt