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Narrative Perspective and Cultural History in *Robbery Under Arms*

The One-Actor Play in Australian Drama

The Novel as ‘Work in Progress’: Shirley Hazzard’s *The Transit of Venus*

Hal Porter, *The Tower* and the Quintessence of Porterism

Sonnet Sequences in Australia (1832-1990): A Preliminary Checklist

Gender, Genre, and Sybylla’s Performative Identity in Miles Franklin’s *My Brilliant Career*

Paris, Moscow, Melbourne: Some Avant-Garde Australian Little Magazines, 1930-1934

An Interview with Archie Weller

Still Life: Art and Nature in Vivian Smith’s Poetry

A Reconsideration of Christina Stead at Work: Fact into Fiction

The Fiction of Beverley Farmer

Imagined Counterpart: Outlining a Conceptual Literary Geography of Australia

Man, Work and Country: The Production of Henry Lawson

Helen Garner’s *Monkey Grip*: The Construction of an Author and Her Work

Michael Wilding’s Three Centres of Value

Colonial History and Post-Colonial Fiction : The Writing of Thea Astley

Ern Malley and His Rivals

The Artful Man: Theory and Authority in Brian Castro’s Fiction

‘Years Later’: Temporality and Closure in Peter Carey’s Novels

In His Own Sweet Time: Carmen’s Coming Out