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- Anthologies and the Amazonian Phalanx: Publication of Australian Female Poets from the 1940sEssay25 May 2024
- Gerald Murnane’s Class: A Review of *Murnane*, by Emmett StinsonReview25 May 2024
- Less and More: The Poetics of Trauma and Transition in Kayleb Rae Candrilli’s What Runs OverEssay15 December 2025
- Politics and Passion in Stead’s Late NovelsEssay7 December 2016
- Revaluing Memoir and Rebuilding Mothership in Maggie Nelson’s *The Argonauts*Essay28 April 2020
- Who is My Neighbour?: Tim Winton’s ‘Aquifer’ and the Ghosts of CloudstreetEssay26 February 2017
- **‘Like a Novel’: Literary Aesthetics, Nonfiction Ethics, and the *S-Town* podcast**Essay30 April 2021
- The Ends of Empire: Australian Steampunk and the Reimagining of Euro-ModernityEssay3 December 2018
- Fantasising the Nation for Child Readers in Early Australian Fairy TalesEssay11 December 2022
- ‘Taking a Risk’: Disability, Prejudice and Advocacy in the Editing and Publishing History of Ruth Park’s *Swords and Crowns and Rings*Essay23 May 2022
- Transnational Postwar Catholicism and Social Spirituality in Ruth Park’s *Serpent’s Delight*Essay3 October 2024
- Porous Realism and the Precarious Home in Ruth Park’s FictionEssay3 October 2024
- Bridging Distances: Ruth Park’s *A Power of Roses* (1953)Essay3 October 2024
- Traps of womanhood: Reproductive coercion in Ruth Park’s *Harp in the South* (1948) and *The Witch’s Thorn* (1951)Essay3 October 2024
- One Decade, Two Accounts: The Aboriginal Arts Board and ‘Aboriginal literature’, 1973-1983Essay5 May 2016
- Patrick White’s Studies for *Voss*Essay30 September 2022
- ‘A Message to Humanity on Behalf of the Adult Deaf’: The Protest Writing of John Patrick BourkeEssay23 May 2022
- Picturising Patois in *The Sentimental Bloke*Essay18 December 2023
- ‘Nearly all deep fertile soil’: Les Murray, His Son and AutismEssay23 May 2022
- Writing the Irish-Australian Self: Life-Writers and Irish Stereotypes, 1870-2000Essay30 September 2021