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The Literary Reputation of Adam Lindsay Gordon

The Significance of Littoral in Beverley Farmer’s Novel *The Seal Woman*

Judith Wright and Frank Scott: Gendering Modernist Networks in Australia and Canada

The Traumas of Translation and the Translation of Trauma: Translation and Cultural Plurality in Fremd and Yasbincek

The Significance of Littoral in Beverley Farmer’s Novel *The Seal Woman*

‘I have so many truths to tell’: Randolph Stow’s *Visitants* and *The Girl Green as Elderflower*

‘A Message to Humanity on Behalf of the Adult Deaf’: The Protest Writing of John Patrick Bourke

Apocalyptic Climate Fiction in the Third Media Revolution: Briohny Doyle’s *The Island Will Sink*

Politics and Passion in Stead’s Late Novels

The Australian Kangaroo Hunt Novel (1830–1858) as *Bildungsroman*

The Reflexive Carter Brown, or the Prescience of *Last Note for a Lovely*

‘I Want a Mortgage and Comfort’: Consumption, Totality and Identity in Australian Gay Fiction

'Tipping the Scales': Introduction to Australian Literary Studies Literary Value Special Issue

Traps of womanhood: Reproductive coercion in Ruth Park’s *Harp in the South* (1948) and *The Witch’s Thorn* (1951)

Colonial Gothic: Morbid Anatomy, Commodification and Critique in Marcus Clarke’s *The Mystery of Major Molineux*

‘This Country is My Mind’: Les Murray’s Poetics of Place

Manifesting Literary Feminisms: Nexus and Faultlines

From the Harp of Erin to Erin of the Harp with Thomas Keneally

Literary Aspiration and the Papers of William Gosse Hay

Some Poems of Judith Wright