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- *The Scent of Eucalyptus*: Gothic AutobiographyEssay1 May 1990
- Walter and Mary Richardson’s Letters and *The Fortunes of Richard Mahony*Essay1 May 1998
- Much Ado about Everything: The Melbourne Shakespeare Society 1884-1904Essay1 May 2000
- My Brilliant Career and RadicalismEssay1 October 2002
- Mudrooroo: Crafty Imposter or Rebel with a CauseEssay1 October 2004
- Editing ALS: A MemoirEssay1 June 2013
- Listening between the Lines: Introduction: Exploring Interdisciplinarity between Music and LiteratureEssay1 June 2014
- Literary Festivals and Cultural ConsumptionEssay1 May 2009
- ‘Botany Bay Litterateur’ : D.H. Deniehy’s Literary CriticismEssay1 October 1979
- Colonialism, Racial Violence and Loss: *The Chant of Jimmie Blacksmith* and *The Roving Party*Essay30 May 2015
- Review of *The Novels of Kylie Tennant* by Margaret DickReview1 December 1966
- Review of *Miles Franklin* by Marjorie BarnardReview1 May 1969
- Editors’ Statements [Nancy Keesing]Essay1 October 1981
- Authors’ Statements [James McQueen]Essay1 October 1981
- A New Version of Pastoral: Developments in Michael Wilding’s FictionEssay1 October 1983
- The 20th Anniversary of *ALS*: Comments by A.D. Hope, Leonie Kramer and the EditorEssay1 October 1983
- Review of *Patrick White* by Brian KiernanReview1 May 1983
- My Unilateral Debate: Katharine Susannah Prichard, Rebel Heroes and Matters PertainingEssay1 October 1983
- ‘Current History Looks Apocalyptic’: Barnard Eldershaw, Utopia and the Literary Intellectual, 1930s-1940sEssay1 October 1989
- Olivia and Chloe: Fictions of Female FriendshipEssay1 May 1989