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- Joyce Eyre and Australian Literature at the University of TasmaniaEssay1 November 2008
- Christos Tsiolkas and the Pornographic Logic of Commodity CapitalismEssay1 May 2010
- Bibliographic Notes on Selected Irish-Australian WritersEssay30 September 2021
- Simon During, Crisis Talk and the Legacies of the 1980sEssay30 October 2023
- The Communion of Clouds: Becoming-Woman in Coetzee’s *Waiting for the Barbarians*Essay25 February 2018
- Fantasising the Nation for Child Readers in Early Australian Fairy TalesEssay11 December 2022
- A.G. Stephens: The Critical *Credo*Essay1 December 1964
- Helping Yourself: Marlo Morgan and the Fabrication of Indigenous WisdomEssay1 October 2004
- Australian Gothic: Theatre and the Northern TurnEssay1 June 2012
- Conceptualising Irish-Aboriginal WritingEssay30 September 2021
- Death and Home-Work: The Origins of Narrative in *The Fortunes of Richard Mahony*Essay1 October 1995
- ‘Islands, Islands’: An Archipelagic Reading of Ruth Park’s *Fishing in the Styx* (1993)Essay3 October 2024
- **Connecting Guatemala, Australia and the World: Violence in Horacio Castellanos Moya’s *Senselessness* and Mark McKenna’s _Looking for Blackfellas’ Point_**Essay29 October 2020
- Site Unscene: Medial Ideology and the Literary InterfaceEssay19 December 2019
- In Custody: Thomas Keneally and American StoriesEssay30 May 2015
- Themes and Imagery in *Voss* and *Riders in the Chariot*Essay1 June 1964
- Olivia and Chloe: Fictions of Female FriendshipEssay1 May 1989
- ‘White Ravens’ in a World of Violence: German Connections in Thomas Keneally’s FictionEssay1 October 1989
- Pastoral Retreat and Green Texts: The 2009 Globe Production of *Love’s Labour’s Lost*Essay30 June 2015
- Some Mary Gilmore LettersEssay1 October 1972