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- Is Phallocentricity a Sin? or a Peccadillo?: Comedy and Gender in Ethel Anderson’s *At Parramatta* and Patrick White’s *Voss*Essay1 June 1991
- ‘Those Infernal Pictures’: Reading Helen Darville, Her Novel and Her CriticsEssay1 May 1997
- Paris, Moscow, Melbourne: Some Avant-Garde Australian Little Magazines, 1930-1934Essay1 May 1993
- Who’s Who?: Mapping Hoaxes and Impostures in Australian Literary HistoryEssay1 October 2004
- Reading (in/and) *Miranda*Essay1 May 2006
- The Significance of Littoral in Beverley Farmer’s Novel *The Seal Woman*Essay1 November 2009
- The Significance of Littoral in Beverley Farmer’s Novel *The Seal Woman*Essay1 October 2009
- Beyond Capricornia: Ambiguous Promise in Alexis WrightEssay1 May 2009
- ‘Did He Want to Mix and Mate with this Man?’: Mateship, Modernism and Homoerotic PrimitivismEssay1 May 2012
- Delight and Revolution: Literary Studies, Aesthetics and IdeologyEssay1 June 2013
- The Politics of English Studies in IndiaEssay1 June 2013
- Once We Were a Discipline: Stray Thoughts on EnglishEssay1 June 2013
- Books as Gifts: The Meaning and Function of a Personal LibraryEssay1 October 2012
- Phonographic Books and the Late Nineteenth-Century ReaderEssay1 October 2014
- Review by Craig MunroReview1 May 1991
- Since 1964 ...Essay30 May 2015
- Charles Rowcroft: An Unpublished MemoirEssay1 October 1967
- Henry Lawson; ‘The Sliprails and the Spur’ at Pahiatua?Essay1 May 1970
- Review of *Christina Stead* by R. G. GeeringReview1 October 1970
- Review of *Witnesses of Spring: Unpublished Poems* by Shaw NeilsonReview1 October 1971