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- The Cult of the AuthorReview1 October 1993
- An Absence of PartisanshipReview1 May 1997
- Colonial Violence and Forgotten FictionEssay1 June 2009
- Review of *London Was Full of Rooms*, edited by Tully Barnett, Nena Bierbaum, Syd Harrex, Rick Hosking and Graham TullochReview1 May 2007
- In the Club: Australian Crime Fiction in the USA 1943-1954Essay1 October 2012
- Review of *The Postcolonial Eye: White Australian Desire and the Visual Field of Race*, by Alison RavenscroftReview1 October 2013
- Poetry’s ‘Formative Power’: Teaching Poetry in Tasmania 1900-1950Essay1 October 2005
- Ladies Pets and the Politics of Affect: Elizabeth Barrett Browning and FlushEssay1 June 2010
- Words, Sticks and Stones: Keneally, Literature and Social ImpactEssay1 November 2013
- Jack Lindsay and MI5: More than SurveillanceEssay1 November 2015
- Review of *The Poetical Works of Charles Harpur', ed. Elizabeth PerkinsReview1 October 1984
- Romance Australia: Love in Australian Literature of ExplorationEssay1 October 1987
- Joyce Eyre and Australian Literature at the University of TasmaniaEssay1 November 2008
- Kangaroo Redux: Reading the Conflicts of South Australian Settler Colonialism in W.A. Cawthorne’s *Kuperree*Essay30 September 2022
- Intention and (In)determinacy: John Cage’s ‘Empty Words’ and the Ambiguity of PerformanceEssay1 June 2014
- Louisa and Henry and Gertie and the Drover’s WifeEssay1 May 1980
- Assimilation or Appropriation: Uses of European Literary Forms in Black Australian WritingEssay1 October 1992
- ‘The Life, the Loves, of that Dark Race’: The Ethnographic Verse of Mid-Nineteenth-Century AustraliaEssay1 May 2007
- Singing up Country in the Poetry of Judith Wright and Pablo NerudaEssay1 November 2008
- Dreaming of the Middle Ages: The Place of the ‘mittelalterlich’ and Socialist Awareness in Christina’s Stead’s Early FictionEssay1 November 2011