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Hal Porter, *The Tower* and the Quintessence of Porterism

Sonnet Sequences in Australia (1832-1990): A Preliminary Checklist

Harry Joy’s Children: The Art of Story Telling in Peter Carey’s *Bliss*

Feral Symbolists: Robert Adamson, John Tranter, and the Response to Rimbaud

‘Not a Good Forgetter’: H.H. Richardson’s Recasting of the Past in *Myself When Young*

Dramatising the Self: Beverley Farmer’s Fiction

Transgressing Language?: The Poetry of Ania Walwicz

‘Distant Voices, Still Lives’: The Correspondence Between H.H. Richardson and Her French Translator, Paul Solanges

Origin, Identity and the Body in David Malouf’s Fiction

Un/making Sexuality: *Such Is Life* and the Observant Queer Reader

Excavating a Bonanza: Sarah Campion

Shopping at Last!: History, Fiction and the Anti-Suburban Tradition

Shit Creek: Suburbia, Abjection and Subjectivity in Australian ‘Grunge’ Fiction

Gender and Race Relations in Elizabeth O’Conner’s Northern Homesteads

Veronica Brady’s Biography of Judith Wright

A. D. Hope and the Apocalyptic Splendour of the Sexes

All the Way to Cape Grimm: Reflections on Carmel Bird’s Fiction

Conversations at Rochester Road: Carmel Bird Discusses Her Writing with Shirley Walker

Who’s Who?: Mapping Hoaxes and Impostures in Australian Literary History

The Company She Keeps: Demidenko and Imposture in Autobiography