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- The Literary Reputation of Adam Lindsay GordonEssay1 June 1963
- The Tidiest Revolution: Regulative Feminist Autobiography and the De-Facement of the Australian Women’s MovementEssay1 May 2002
- ‘The Slaughterman of Wagga Wagga’: Imposture, National Identity, and the Tichborne AffairEssay1 October 2004
- Erocide Is Painless: Insensation in Les Murray’s *Fredy Neptune*Essay1 November 2008
- Singing up Country in the Poetry of Judith Wright and Pablo NerudaEssay1 November 2008
- The Modernist *roman à clef* and Cultural Secrets, or, I Know that You Know that I Know that You KnowEssay1 November 2009
- The Golden Fish: On Reading J. S. HarryEssay1 October 2005
- ‘What Would Civilisation Be without a Gun?’ The Resistant Land in Sarah Campion’s Burdekin TrilogyEssay1 October 2006
- Burglary in Shady Hill and Sarsaparilla: The Politics of Conformity in White and CheeverEssay1 October 2006
- Anachronism, Ekphrasis and the ‘Shape of Time’ in *The Great Fire*Essay1 October 2008
- Salt Scars: John Kinsella’s WheatbeltEssay1 June 2012
- Where Literary Studies Is, and What It DoesEssay1 June 2013
- Minding Elephants and the Rhetorics of DestructionEssay1 June 2010
- Amanda Lohrey's *Vertigo*: An Australian PastoralEssay30 June 2015
- Waking up the Colours: Memory and Allegory in Iranian Hip Hop and Ambient MusicEssay1 June 2014
- Dreaming of the Middle Ages: The Place of the ‘mittelalterlich’ and Socialist Awareness in Christina’s Stead’s Early FictionEssay1 November 2011
- Cosmopolitanism, Sovereignty and MedievalismEssay1 November 2011
- Books as Gifts: The Meaning and Function of a Personal LibraryEssay1 October 2012
- Self-Propagation and Self-Dissolution: The Paradox of Patrick White’s *Flaws in the Glass*Essay1 October 2013
- Phonographic Books and the Late Nineteenth-Century ReaderEssay1 October 2014