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- Un-Australian Activities?: Mary Gilmore’s Versions from the SpanishEssay1 October 1997
- Paris, Moscow, Melbourne: Some Avant-Garde Australian Little Magazines, 1930-1934Essay1 May 1993
- Challenging History Making: Realism, Revolution and Utopia in *The Timeless Land*Essay1 May 1995
- Helen Garner’s *Monkey Grip*: The Construction of an Author and Her WorkEssay1 October 1992
- Remember Love and Struggle? Reading Jean Devanny’s *Sugar Heaven* in Contemporary Australian ContextsEssay1 May 2004
- All the Way to Cape Grimm: Reflections on Carmel Bird’s FictionEssay1 May 2004
- Where Literary Studies Is, and What It DoesEssay1 June 2013
- A Dream-Temple of Collective Imagination : Exploring Community in Carmel Bird’s *Cape Grimm*Essay1 May 2012
- ‘Alone and in close company’: Reading and Companionship in Brenda Walker’s *Reading by Moonlight*Essay1 May 2012
- Dreaming of the Middle Ages: The Place of the ‘mittelalterlich’ and Socialist Awareness in Christina’s Stead’s Early FictionEssay1 November 2011
- Ladies and Gentlemen? Language, Body and Identity in *The Aunt’s Story* and *The Twyborn Affair*Essay1 October 2013
- Phonographic Books and the Late Nineteenth-Century ReaderEssay1 October 2014
- John Grant: Australia’s First ‘Really’ Radical PoetEssay1 May 1994
- O’Grady, John see ‘Culotta, Nino’: Popular Authorship, Duplicity and CelebrityEssay1 October 2004
- Displaying the Monster: Patrick White, Sexuality, CelebrityEssay1 May 2010
- Indigenous Literature and the Extractive IndustriesEssay1 November 2013
- Recollections Through English SpectaclesEssay1 October 1979
- Defining and Redefining Popular Genres: The Evolution of ‘New Adult’ FictionEssay3 December 2018
- Literary Aspiration and the Papers of William Gosse HayEssay9 July 2018
- Jack Lindsay and MI5: More than SurveillanceEssay1 November 2015