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- The ‘Literary Photographs’ of Henry LawsonEssay1 October 1978
- Transfigured Histories: Recent Novels of Patrick White and Robert DreweEssay1 May 1979
- *Capricornia*: Recovering the Imaginative Vision of a Polemical NovelEssay1 May 1981
- The Use of Names and Colours in Randolph Stow’s *Tourmaline*Essay1 October 1990
- Boundary Crossing: The Novels of David FosterEssay1 May 1993
- Italian Immigrants in Australian Fiction 1900-1950Essay1 May 1993
- Harry Joy’s Children: The Art of Story Telling in Peter Carey’s *Bliss*Essay1 May 1994
- Gender, Genre, and Sybylla’s Performative Identity in Miles Franklin’s *My Brilliant Career*Essay1 October 1997
- ‘Not a Good Forgetter’: H.H. Richardson’s Recasting of the Past in *Myself When Young*Essay1 May 1998
- Dramatising the Self: Beverley Farmer’s FictionEssay1 October 1995
- An Absence of PartisanshipReview1 May 1997
- Evoking Empathy: Structures of Language and Feeling in Robert Gray’s PoetryEssay1 October 1990
- ‘Does all Melbourne smell like this?’: The Colonial Metropolis in Marvellous MelbourneEssay1 May 2003
- Excavating a Bonanza: Sarah CampionEssay1 May 2004
- Brereton, the *Bulletin*, and A.G. StephensEssay1 June 1963
- Who’s Who?: Mapping Hoaxes and Impostures in Australian Literary HistoryEssay1 October 2004
- ‘Will This be Your Poem, or Mine?’: The Give and Take of StoryEssay1 October 2007
- ‘Composing the Self’: Metaphors of Creativity in Henry Handel Richardson’s *Myself When Young*Essay1 October 2005
- Spatialising Experience : Gail Jones’s *Black Mirror* and the Contending of Postmodern SpaceEssay1 October 2007
- The Impact of LiteratureEssay1 November 2013