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- A Ghost Story in Two Part : Charles Dickens, Peter Carey, and Avenging PhantomsEssay1 October 2004
- Authors, Editors, Publishers: Katharine Susannah Prichard and W. W. NortonEssay1 October 2006
- ‘But who considers woman day by day?’: Australian Women Poets and World War IEssay1 May 2007
- The Australian Home-Front Novel of the Second World War: Genre, Gender and RegionEssay1 May 2007
- ‘That Wild Run to London’ : Henry and Bertha Lawson in EnglandEssay1 October 2007
- In the Beginning: David Malouf’s *An Imaginary Life*Essay1 October 2005
- ‘Phrases Between Us’: The Poetry of Anna WickhamEssay1 October 2005
- ‘Unexpected Effects’: Marked Men in Contemporary Australian Women’s FictionEssay1 October 2006
- Remembering the War: Australian Novelists of the InterWar YearsEssay1 October 2007
- Rereading David Malouf’s *Fly Away Peter*: The Great War, Aboriginal Dispossession, and the Politics of RememberingEssay1 May 2009
- *West Coast Correspondences: Randolph Stow Encounters Thom Gunn’s *The Sense of MovementEssay1 May 2011
- Australian Gothic: Theatre and the Northern TurnEssay1 June 2012
- Afterword: The Story of a BookmarkEssay1 June 2013
- Indigenous Literature and the Extractive IndustriesEssay1 November 2013
- What Falls from View? On Re-Reading Alexis Wright’s *Plains of Promise*Essay1 November 2010
- Ideas about the Thing, Not the Thing Itself: Impact and Other Abstractions and the Politics of Research Performance MeasurementEssay1 November 2013
- Rewriting Anthropology and Identifications on the North Pacific Coast: The Work of George Hunt, William Beynon, Franz Boas, and Marius BarbeauEssay1 November 2010
- Adaptation Studies, Convention, Vocal Production and Embodied Meaning in Verdi’s Macbeth: Rehabilitating the Brindisi, or, Lady Macbeth Unsexes HerselfEssay1 June 2014
- Composing *Rayuela*: The Musical Element in Julio Corrazar’s NarrativeEssay1 June 2014
- R. Strauss, Opus 67, 1-3, Drei Lieder der Ophelia: Ophelia Set adrift in the Cross-Currents of Interdisciplinary CultureEssay1 June 2014