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Christos Tsiolkas and the Pornographic Logic of Commodity Capitalism

Bibliographic Notes on Selected Irish-Australian Writers

Simon During, Crisis Talk and the Legacies of the 1980s

The Communion of Clouds: Becoming-Woman in Coetzee’s *Waiting for the Barbarians*

Fantasising the Nation for Child Readers in Early Australian Fairy Tales

A.G. Stephens: The Critical *Credo*

Helping Yourself: Marlo Morgan and the Fabrication of Indigenous Wisdom

Australian Gothic: Theatre and the Northern Turn

Conceptualising Irish-Aboriginal Writing

Death and Home-Work: The Origins of Narrative in *The Fortunes of Richard Mahony*

‘Islands, Islands’: An Archipelagic Reading of Ruth Park’s *Fishing in the Styx* (1993)

**Connecting Guatemala, Australia and the World: Violence in Horacio Castellanos Moya’s *Senselessness* and Mark McKenna’s _Looking for Blackfellas’ Point_**

Site Unscene: Medial Ideology and the Literary Interface

A Book By Any Other Name? Towards a Social History of the Book in Aboriginal Australia

Towards the Source of ‘The Wanderer’

Perceptions of the Enemy in Australian War Literature

Francis Adams: Realism and Sensation in the 1880s

In Custody: Thomas Keneally and American Stories

Introduction

Themes and Imagery in *Voss* and *Riders in the Chariot*