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- Satyrs in the Top Paddock: Metaphysical Pastoral in Australian PoetryEssay1 May 1992
- Sonnet Sequences in Australia (1832-1990): A Preliminary ChecklistEssay1 October 1993
- Feral Symbolists: Robert Adamson, John Tranter, and the Response to RimbaudEssay1 May 1994
- Poetry and Politics in Oodgeroo: Transcending the DifferenceEssay1 November 1994
- Lesbia Harford’s Homefront Warrior and Women’s World War I WritingEssay1 May 1995
- Leisure and Grief: The Recent Poetry of Chris Wallace-CrabbeEssay1 October 1996
- ‘Those Infernal Pictures’: Reading Helen Darville, Her Novel and Her CriticsEssay1 May 1997
- Gender, Genre, and Sybylla’s Performative Identity in Miles Franklin’s *My Brilliant Career*Essay1 October 1997
- Dramatising the Self: Beverley Farmer’s FictionEssay1 October 1995
- ‘The Craft So Long to Learn’: Ruth Park’s Story of Ruth ParkEssay1 May 1996
- Racism, the Realist Writers’ Movement and the Katharine Susannah Prichard AwardEssay1 October 1999
- Les Murray: A Selective ChecklistEssay1 October 2001
- Cultural Memory in Postcolonial Fiction: The Uses and Abuses of Ned KellyEssay1 May 2002
- Getting a Head: Dismembering and Remembering in Robert Drewe’s *The Savage Crows*Essay1 May 2003
- Wishing for Modernity: Temporality and Desire in *Gould’s Book of Fish*Essay1 May 2003
- Textual Phantasmagoria: Marcus Clarke, Light Literature and the Colonial UncannyEssay1 October 2003
- Cold War, Home Front : Australian Women Writers and Artists in the 1950sEssay1 May 2002
- The Sun’s Fish Dreaming : The Poetry of Andrew TaylorEssay1 May 2004
- Brereton, the *Bulletin*, and A.G. StephensEssay1 June 1963
- A. D. Hope and the Apocalyptic Splendour of the SexesEssay1 October 2000