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Lesbia Harford’s Homefront Warrior and Women’s World War I Writing

Leisure and Grief: The Recent Poetry of Chris Wallace-Crabbe

‘Those Infernal Pictures’: Reading Helen Darville, Her Novel and Her Critics

Gender, Genre, and Sybylla’s Performative Identity in Miles Franklin’s *My Brilliant Career*

Dramatising the Self: Beverley Farmer’s Fiction

‘The Craft So Long to Learn’: Ruth Park’s Story of Ruth Park

Racism, the Realist Writers’ Movement and the Katharine Susannah Prichard Award

Les Murray: A Selective Checklist

Cultural Memory in Postcolonial Fiction: The Uses and Abuses of Ned Kelly

Getting a Head: Dismembering and Remembering in Robert Drewe’s *The Savage Crows*

Wishing for Modernity: Temporality and Desire in *Gould’s Book of Fish*

Textual Phantasmagoria: Marcus Clarke, Light Literature and the Colonial Uncanny

Cold War, Home Front : Australian Women Writers and Artists in the 1950s

The Sun’s Fish Dreaming : The Poetry of Andrew Taylor

Brereton, the *Bulletin*, and A.G. Stephens

A. D. Hope and the Apocalyptic Splendour of the Sexes

Not Reading the Nation: Australian Readers of the 1890s

Professing the Popular: Political Fiction circa 2006

The Modernist *roman à clef* and Cultural Secrets, or, I Know that You Know that I Know that You Know

Of Sages and Sybils: Alec Hope and Judith Wright