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A Checklist of Australian Literature of the First World War

Reading Men Like Signboards: The Egalitarian Semiotic of *Such is Life*

Drama’s Vitallest Expression: The Fiction of Olga Masters

Shirley Hazzard: Transit and *The Bay of Noon*

Representation and Particularity in Pastoral: Some Examples from *Walden*

Last Flight to Byzantium: *Memoirs of Many in One*

A Neglected Interview between Henry Handel Richardson and Brian Penton, 1931-1933

Remaking the Middle Ages in Australia: Francis Webb’s ‘The Canticle’ (1953)

Writers Behaving Badly: Stead, Bourdieu and Australian Literary Culture

Shit Creek: Suburbia, Abjection and Subjectivity in Australian ‘Grunge’ Fiction

*Geoffry Hamlyn* and Its Australian Setting

Spatialising the Ghosts of Anzac in the Plays of Sydney Tomholt: The Absent Soldier and the War Memorial

An Indian without a Country

Imagining Transcendence: The Poetry of David Malouf

The Traumas of Translation and the Translation of Trauma: Translation and Cultural Plurality in Fremd and Yasbincek

Greeks and Moderns: The Search for Culture in the *Official History of Australia in the War of 1914-1918*

Adapting Australian Novels for the Stage: La Boite Theatre’s Version of *Last Drinks*, *Perfect Skin*, and *Johnno*

The Reading Communities of Collecting: Sale Catalogues, Sociability, and Ephemerality, 1676-1862

Mary Fortune as Sylphid: ‘blond, and silk, and tulle’

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