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- Alan Wearne: InterviewEssay1 November 1998
- Review of *The Country of Lost Children: An Australian Anxiety*, by Peter PierceReview1 October 1999
- Australian Literary Criticism: Future DirectionsEssay1 May 2001
- Henry Kendall’s ReligionEssay1 May 2002
- How Newness (Not) Comes into the World: Eva Rask Knudsen’s *The Circle and the Spiral*Essay1 October 2006
- Challenging Voices: Tracing the Problematic Role of Testimony in Political ChangeEssay1 October 2006
- When ‘History Changes Who We Were’Review1 November 2008
- Under the Influence? Adam McCay: Journalist, Poet, Letter Writer and Influential FriendEssay1 October 2005
- Losing Sight of Billy: Moving Beyond the Specular in *Haxby’s Circus*Essay23 May 2022
- Historical Figures, Archives and Australian Disability Life Writing: Reading Jessica White’s *Hearing Maud* and Writing *Hysteria*Essay23 May 2022
- **‘It’s Just Some Guy, Not a Monster’: Gendered Violence in Emily Maguire’s Recent Novels**Review28 October 2021
- By Association: Crafting Mission and Values Statements for the Australian University Heads of EnglishEssay30 October 2023
- Introduction: AI and the Future of Literary StudiesEssay22 December 2025
- **Connecting Guatemala, Australia and the World: Violence in Horacio Castellanos Moya’s *Senselessness* and Mark McKenna’s _Looking for Blackfellas’ Point_**Essay29 October 2020
- Simon During, Crisis Talk and the Legacies of the 1980sEssay30 October 2023
- At the Edge: Geography and the Imagination in the Work of David MaloufEssay1 May 1985
- The Practice of Pastoral Empathy in Wordsworth’s Salisbury Plain PoemsEssay30 June 2015
- The Dual Nature of Shaw Neilson’s VisionEssay1 May 1972
- The Pursuit of Oblivion: In Flight from SuburbiaEssay1 November 1998
- ‘Un Sans Culotte’: The *Bulletin*’s Early Theatre Criticism and the Masculine Bohemian MasqueradeEssay1 May 2000