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Less and More: The Poetics of Trauma and Transition in Kayleb Rae Candrilli’s What Runs Over

‘The Young Man Will Go Far’: Educational Mobility and Christina Stead’s Compositional Practice in the Early 1930s

‘A Vermeer in the Hayloft’: Christina Stead, Unjust Neglect and Transnational Improprieties of Place and Kind

Coetzee and Wicomb: Writers Giving an Account of Themselves in *Age of Iron* and *October*

Magda Meets Theodora: Language and Interiority in *The Aunt’s Story* and *In The Heart of the Country*

Cooper, Cather, Prichard, 'Pioneer': The Chronotope of Settler Colonialism

Thea Astley’s *An Item from the Late News*: A Fictional Fifth Gospel

Mal du Pays: Symbolic Geography in the Work of Randolph Stow

**Aboriginal Mobilities and Colonial Serial Fiction**

Losing Sight of Billy: Moving Beyond the Specular in *Haxby’s Circus*

Writing Disability in Australia: Transmedial Potentials for Illness/Recovery Narratives

Shirley Hazzard’s *The Transit of Venus* and the Question of Value

Bridging Distances: Ruth Park’s *A Power of Roses* (1953)

Technologies of Literature: Reading, Judgment, and the Large Language Model

Introduction: AI and the Future of Literary Studies

Patrick White’s Studies for *Voss*

Francis Adams: Realism and Sensation in the 1880s

Before the Nation: Rolf Boldrewood and the Problem of Scale in National Literatures

‘The Fullness of Life’: The Poetics and Politics of Jack Lindsay

Out of Context: A Study of Thomas Keneally’s Novels