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Unknown Australia: Rosa Praed’s Vanished Race

Authors, Editors, Publishers: Katharine Susannah Prichard and W. W. Norton

The Australian Home-Front Novel of the Second World War: Genre, Gender and Region

‘In the Hollow of the Heart’: Dorothy Hewett’s Early Imaginative Life

Rereading David Malouf’s *Fly Away Peter*: The Great War, Aboriginal Dispossession, and the Politics of Remembering

Australian Gothic: Theatre and the Northern Turn

Patrick White, Saul Bellow and the Problem of Literary Value

Indigenous Sovereignty and the Crisis of Whiteness in Alexis Wright’s *Carpenteria*

Interview with David Malouf

Badlands and Borderlands: Self-Determination and the Limits of Intercultural Negotiation in the Fiction of Patricia Grace and Alice Tawhai

Honour the Single Soul: Homage to Randolph Stow (1936-2010)

Rewriting Anthropology and Identifications on the North Pacific Coast: The Work of George Hunt, William Beynon, Franz Boas, and Marius Barbeau

Poetic Soundings: Aesthetic Correlation in the Work of T.S. Eliot and Igor Stravinsky

Anne Sexton, Singer: ‘Her Kind’ and the Musical Impetus in Lyric Confessional Verse

Models of Publishing and Opportunities for Change: Representations in Harlequin, Montlake and Self-Published Romance Novels

Constructing Cosmopolitanism, Promoting Humanitarianism: The Marvellous Melbourne of E.W. Cole in Lisa Lang’s *Utopian Man* (2010)

Christina Stead’s ‘Kelly File’: Politics, Possession and the Writing of *Cotters’ England*

Shifting Timescapes and the Significance of the Mine in Alexis Wright’s *Carpentaria*

Bibliographic Notes on Selected Irish-Australian Writers

‘Doomed shapely ersatz thought’: Francis Webb, *Ward Two* and the Language of Schizophrenia