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- An Interview with Chris Wallace-CrabbeEssay1 October 1996
- ‘Things are Cast Adrift’: Brian Castro’s FictionEssay1 October 1995
- A Tale of Two Countries: *Jack Maggs* and Peter Carey’s FictionEssay1 October 1997
- Arthur Hoey Davis and Several ‘Steele Rudds’: Imagining the Pseudonymous AuthorEssay1 May 1990
- Les Murray: Watching with His MouthEssay1 October 2001
- The Art of ‘Cracking Normal’Essay1 October 2001
- The British Tradition in John Morrison’s Radical NationalismEssay1 May 2002
- Reading *My Brilliant Career*Essay1 October 2002
- Setting the Record Straight: Bibliography and Australian LiteratureEssay1 October 2003
- ‘One of Them Kinds of Kids’: The Lives of Les MurrayEssay1 May 2002
- Shrouded Histories: Outlaw and Lawmaker, Republican Politics and Women’s InterestsEssay1 May 2003
- ‘Those Ungodly Pressmen’: The Early Years of the Brisbane Johnsonian ClubEssay1 May 2003
- Dancing ‘on Bits of Paper’ : Les Murray’s SoundscapesEssay1 October 2001
- ‘Unrelaxing Fortitude’: Susannah FranklinEssay1 October 2002
- Blue Corner and Red Corner, Metropolis and Province: Literature and Education in Contemporary AustraliaEssay1 June 2013
- Apocalyptic Climate Fiction in the Third Media Revolution: Briohny Doyle’s *The Island Will Sink*Essay30 September 2022
- Intention and (In)determinacy: John Cage’s ‘Empty Words’ and the Ambiguity of PerformanceEssay1 June 2014
- Introduction: Writing Disability in AustraliaEssay23 May 2022
- Historical Patterns in the *Multiple Effects of Rainshadow* and *The Tall Man*Essay1 October 2013
- Gerald Murnane’s Class: A Review of *Murnane*, by Emmett StinsonReview25 May 2024