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- Review of *Ours As We Play It: Australia Plays Shakespeare*, by Kate FlahertyReview1 May 2012
- Review of *The Experimental Fiction of Murray Bail* by Michael AcklandReview1 October 2013
- Neo-Victorian Approaches to the Colonial Past in Ruth Park’s *Playing Beatie Bow*Essay3 October 2024
- ‘Adjusted’ Vision: Interwar Settler Modernism in Eleanor Dark’s *Return to Coolami*Essay9 July 2018
- Barbara Baynton: Woman as ‘The Chosen Vessel’Essay1 May 1983
- Sentimental Jonah’s Heart of StoneEssay1 October 1989
- *In the Heart of the Country* and Pain: Re-reading Space, Gender and AffectEssay25 February 2018
- Shirley Hazzard’s *The Transit of Venus* and the Question of ValueEssay30 October 2023
- ‘Those Ungodly Pressmen’: The Early Years of the Brisbane Johnsonian ClubEssay1 May 2003
- Intention and (In)determinacy: John Cage’s ‘Empty Words’ and the Ambiguity of PerformanceEssay1 June 2014
- Site Unscene: Medial Ideology and the Literary InterfaceEssay19 December 2019
- Wilde Identifications: Queering the Sexual and the National in the Work of Eve LangleyEssay1 October 2002
- Caesura and the Deforming Poem: Rupture as a Space for the OtherEssay23 May 2022
- Searchlights and the Search for History in Christina Stead’s ‘Seven Poor Men of Sydney’Essay1 June 1991
- Randolph Stow’s *Outrider* and the French Voyager PoemEssay1 October 1997
- Spatialising the Ghosts of Anzac in the Plays of Sydney Tomholt: The Absent Soldier and the War MemorialEssay1 May 2007
- Review of *Literary and Social Diasporas: An Italian Australian Perspective*, edited by Gaetano Rando and Gerry TurcotteReview1 June 2009
- Review of *J. M. Coetzee and the Limits of Cosmopolitanism*, by Katherine HallemeierReview1 June 2014
- Review of *In Due Season: Australian Literary Studies: A Personal Memoir*, by Harry HeseltineReview1 October 2010
- Review of *The Postcolonial Eye: White Australian Desire and the Visual Field of Race*, by Alison RavenscroftReview1 October 2013